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The Importance of Loafing
"The tempo of modern industrial life forbids...idling. But worse than that, it imposes upon us a different conception of time as measured by the clock, and eventually turns the human being into a clock himself. Every American adult is arranging his time on the pattern of the schoolboy -- three o'clock for this, five o'clock for that, six-thirty for change of dress; six-fifty for entering the taxi and seven o'clock for emerging into a hotel room. It just makes life not worth living."
-- Lin Yutang, "The Importance of Loafing"
Lin Yutang (1895-1976) was an influential writer and intellectual of the last century best known for his translations of Chinese texts into English and for such works as The Importance of Living and The Wisdom of Confucius. The article below, "The Importance of Loafing," has been excerpted from The Present Tense, ed. by Sharon Brown (New York: Harcourt, Brace, 1945), pp.293-296.
Culture, as I understand it, is essentially a product of leisure. The art of culture is therefore essentially the art of loafing. From the Chinese point of view, the man who is wisely idle is the most cultured man. For there seems to be a philosophic contradiction between being busy and being wise. Those who are wise won't be busy, and those who are too busy can't be wise...
In the first place, the Chinese theory of leisure, as expressed by a comparatively unknown author of the eighteenth century, Shu Paihsiang, who happily achieved oblivion, is as follows: time is useful because it is not being used. "Leisure in time is like unoccupied floor space in a room." Every working girl who rents a small room where every inch of space is fully utilized feels highly uncomfortable because she has no room to move about, and the moment she gets a raise in salary, she moves into a bigger room where there is a little more unused floor space, besides those strictly useful spaces occupied by her single bed, her dressing table and her two-burner gas range. It is that unoccupied space which makes a room habitable, as it is our leisure hours which make life endurable. I understand there is a rich woman living on Park Avenue, who bought up a neighboring lot to prevent anybody from erecting a skyscraper next to her house. She is paying a big sum of money in order to have space fully and perfectly made useless, and it seems to me she never spent her money more wisely.
In this connection, I might mention a personal experience. I could never see the beauty of skyscrapers in New York, and it was not until I went to Chicago that I realized that a skyscraper could be very imposing and very beautiful to look at, if it had a good frontage and at least half a mile of unused space around it. Chicago is fortunate in this respect, because it has more space than Manhattan. The tall buildings are better spaced, and there is the possibility of obtaining an unobstructed view of them from a long distance. Figuratively speaking, we, too, are so cramped in our life that we cannot enjoy a free perspective of the beauties of our spiritual life. We lack spiritual frontage...
The tempo of modern industrial life forbids...idling. But worse than that, it imposes upon us a different conception of time as measured by the clock, and eventually turns the human being into a clock himself. This sort of thing is bound to come to China, as is evident for instance in a factory of twenty thousand workers. The luxurious prospect of twenty thousand workers coming in at their own sweet pleasure at all hours is, of course, somewhat terrifying. Nevertheless, this is what makes life so hard and hectic. A man who has to be punctually at a certain place at five o'clock has the whole afternoon from one to five ruined for him already. Every American adult is arranging his time on the pattern of the schoolboy -- three o'clock for this, five o'clock for that, six-thirty for change of dress; six-fifty for entering the taxi and seven o'clock for emerging into a hotel room. It just makes life not worth living...
The American's inability to loaf comes directly from his desire for doing things and in his placing action above being. We should demand that there be character in our lives as we demand there be character in all great art worthy of the name. Unfortunately, character is not a thing which can be manufactured overnight. Like the quality of mellowness in wine, it is acquired by standing still and by the passage of time. The desire of American old men and women for action, trying in this way to gain their self-respect and the respect of the younger generation, is what makes them look so ridiculous to an Oriental. Too much action in an old man is like a broadcast of jazz music from a megaphone on the top of an old cathedral. Is it not sufficient that the old people are something? Is it necessary that they must be forever doing something? The loss of the capacity for loafing is bad enough in men of middle age, but the same loss in old age is a crime committed against human nature.
Related Reading:
Bertrand Russell, "In Praise of Idleness"
Henry David Thoreau, "A Lament Against Incessant Business"